International Institute for Asian Studies
Asian Heritages - IIAS addresses the variety of definitions associated with heritage and their implication for social agency, including those currently questioned of 'national heritage' or 'shared heritage' | Read more
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The "Asian heritages" cluster explores the notion of heritage as it has evolved from a European-originated concept associated with architecture and monumental archaeology to incorporate a broader diversity of cultural forms and values. This includes the contested distinctions of "tangible" and "intangible" heritages, and the importance of cultural heritage in framing and creating various forms of identity.

The notion of heritage
Whether viewed from a Western or Asian perspective, at a nation-state or local community level, different meanings and strategies may be assigned to "heritage". In Asia, the notion is often associated with the construction of post-independence nation-state models, the definition of national "traditions" and "authenticity," and the idea of a pre/post-colonial historical national continuity. Discussions about heritage are often state-dominated, and this leaves little room for local views.

But who decides what heritage is, how it should be managed, and what rules should apply? Having an understanding of the notion of heritage in a given situation is a powerful instrument in any discussion of "ownership" and social agency. For example, the listing of a site or building as "national" or "world heritage" may very well expose the object of conservation to the negative side-effects of increased tourism. This is relevant when the object involved is of special importance to the local community (for example a temple with its significance for the local inhabitants). In that case the local community may justifiably fear dispossession by conservationist zealots from outside. In order to stand up to this threat, local communities should be aware of the mechanisms and consequences of heritage recognition and of the benefits and dangers of heritage exploitation.

Aim
The cluster will address the variety of definitions associated with heritage and their implications for determining who benefits or suffers from their implementation. It aims to engage with a broad range of concepts including the issues of "authenticity," "national heritage," and "shared heritage", and, more generally, issues pertaining to the political economy of heritage. It will also critically address the dangers involved in the commodification of perceived endangered local cultures/heritages, including languages, religious practices, crafts and art forms, as well as material vernacular heritage. The cluster aims at directly engaging Asian and European scholars, artists, intellectuals, and other social educators in a constructive postcolonial civil-society-to-civil-society dialogue, in a spirit of genuine, mutually beneficial Europe-Asia collaboration.

Research topics
Topics of interest include, but are not limited to: the different concepts of "heritage" to be found in various social groups, the ownership of heritage, the uses and problems associated with colonial heritages, national and international aspects of heritage management, heritage and sustainable development, "modernization," endangered forms of heritage and their conservation, and participatory forms of heritage politics.


Research projects

ABIA    Translating (Japanese) Contemporary Art

Initiatives

   

Asian Heritages Updates

IIAS Lunch Lecture
20 June 2012

In this IIAS Lunch Lecture Dr Ulrich Timme Kragh will give an overview of their lives and writings of six Tantric authoresses from the Swat Valley of Pakistan.



Modern South Asian Seminar Series
23 May 2012

In this lecture, Dr. Farid Uddin Ahamed will raise some specific questions related to the ongoing process of ethnic mobilisation in the Chittagong Hill Tracts.



IIAS Lunch Lecture
23 May 2012

In this IIAS Lunch Lecture Dr Saraju Rath will give a brief overview of the varieties of writing materials used in the Indian world through the ages and the evidence for them in the form of literary references, iconic representations and preserved specimens.



IIAS Lunch Lecture
10 May 2012

In this IIAS lunch lecture, Sadiah Boonstra will focus on dalang Ki Enthus Susmono to show how processes of defining “authenticity” linked to “tradition” in contemporary Indonesia are the result of mutual interaction between individual, local traditions and (post)colonial and (inter)national heritage policies.



Article

The remarkable Dong Bo Zhai Collection, brought together by a Chinese business man from Hong Kong, covers three emblematic fields of the Chinese cultural heritage. Discussed here are the important archaic bronzes reflecting the evolution of these remarkable sumptuary vessels, from the Shang (...



Review

Felicia Katz-Harris. 2010. Inside the Puppet Box: A Performance Collection of Wayang Kulit at the Museum of International Folk Art. New Mexico/Seattle and London: Museum of International Folk Art in association with University of Washington Press. 200 p, fully illustrated, ISBN:...



Review

One early morning, I flew from Jakarta to Hong Kong expecting it, for some reason, to be similar to Singapore. Yet while the center of Singapore is basically one huge mall, Hong Kong has plenty of exciting small places: cafes, restaurants, antique shops and art galleries. I spent a week walking...



Review

John Clark. 2011. Asian Modernities: Chinese and Thai Art Compared, 1980-1999, Sydney: Power Publications. 272 pages, ISBN: 9780909952389 (paperback).

John Clark’s most recent publication contributes to a growing body of work that responds to the still perplexing issue of how to...



Review

Reviewed film: Rumah Abu Han Documentary, Directed and produced by Kevin Reinaldo Arffandy, 2011. A documentary film about an ancestral house of the Han family in Surabaya, Indonesia.

Downloadable for free from: http://vimeo.com/24602582...



Review

Lee, De-Nin D. 2010. The Night Banquet: a Chinese scroll through time. University of Washington Press, 172 pp. hardcover, ISBN: 9780295990729

The Night Banquet is a tenth century hand scroll attributed to the painter Gu Hongzhong. A well-known statesman Han Xizai [902-970] is the...